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Bill Fay《The Sun Is Bored》歌词歌曲LRC下载

Bill Fay《The Sun Is Bored》歌词歌曲LRC下载

The Sun Is Bored歌曲歌词:

“Tally ho, let’s go”,

said the leader of the chase

“Ole ole” Ole ole

said the fantastic toreador

And the sun goes down

Never to rise again

It was getting bored

With the same old faces

“Have you heard this one?” “

said the minister for laughs

“Obscene”, said the minister for good taste“

And the moon is praying

It wants to get away

To some other place

Any place

And the sun goes down

Never to rise again

The Sun Is BoredLRC歌词:

[00:01.24]”Tally ho, let’s go”,

[00:18.07]said the leader of the chase

[00:24.93]”Ole ole” Ole ole

[00:29.01]said the fantastic toreador

[00:38.04]And the sun goes down

[00:42.60]Never to rise again

[00:50.11]It was getting bored

[00:57.99]With the same old faces

[01:04.97]”Have you heard this one?” “

[01:13.15]said the minister for laughs

[01:22.55]”Obscene”, said the minister for good taste“

[01:36.37]And the moon is praying

[01:41.47]It wants to get away

[01:48.42]To some other place

[01:56.31]Any place

[02:04.06]And the sun goes down

[02:12.11]Never to rise again

[02:19.27]

The Sun Is BoredLRC歌词下载地址:

LRC歌词下载

Bill Fay简介:

by Richie Unterberger
Obscure British singer/songwriter Bill Fay made a couple of albums in the early ’70s that matched Dylanesque songwriting with unusual arrangements. Fay had actually done his first single, “Some Good Advice”/”Screams in the Ears,” for Deram back in 1967, produced by early Donovan co-manager Peter Eden. The single introduced his characteristic downbeat melodies and scrambled impressionistic lyrics, though with somewhat more pop-oriented production and melodies than those heard on his albums.
It wouldn’t be until 1970 that his self-titled debut appeared. Bill Fay is an odd and not particularly good record, in large part because his songwriting has the obvious ambition of song-poets like Bob Dylan and Leonard Cohen, but not nearly as much talent. His hoarse, thin singing is also obviously Dylan-influenced, but like fellow Dylan acolyte David Blue, he had the tendency to go distressingly off-key. There was a bit of the British lilting storytelling style to his songwriting, in the path of Al Stewart, Donovan, and Nick Drake, but these traits were far subordinate to the inchoate Dylanisms. Twee orchestral arrangements figure strongly on the record, as if to cover up for some of the artist’s vocal deficiencies. His second LP, Time of the Last Persecution (from 1971), was similar in its songwriting, but far more straightforward and rock-oriented in its production, and more conventionally accomplished in its vocal delivery. Though still not noteworthy, it was definitely better than its predecessor, and sometimes enlivened by unexpectedly gnarly rock guitar.

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