Shabop Shalom歌曲歌词：
作词 : Devendra Banhart
作曲 : Devendra Banhart
(Thanks to zed for these lyrics)
Our story begins on a sunday afternoon
Just between halfway tree and spanish town
Where a young boy
Not yet the cock o’ the walk that he would soon become,
Was lying on the grass and takin’ in the sweet and sensuous scent of hibiscus
That languidly lilted along the summer breeze
It was at this precise moment that he saw her.
Her walk was soft and delicate with a thaumaturgical touch
That only a rabbi’s daughter could have
Before their eyes had even met
Her luminous lips had already lured him in
Salvation winked with he promise of a briss held at pinnacle
And a congregation of sages bunny hopping and chicken dancing to yiddish mento
Then their eyes linked
An aeon blinked amharic vows were scryed upon their hearts
Just to think this could all be with a frenectomy and a few words of love.
My shabop shalom baby
Won’t you shabop shalom with me
Under the old banana tree
Whoa, whoa
My sweet telavivian lamb‘s bread
My heart can act as an emoliant
And you’ll never ever say
Get bent!
No, no
Todamama todamama
Todamama todamama
Todamama todamama
Todatoda
Todamama todamama
Todamama todamama
Todamama todamama
Todatoda
All the signals that i’m sendin i’ll keep sending
And on the constantillionth time
I’ll make you mine
Yes, i swear i will
Your sweet supple breasts are golden ghettos
Soft statues in stilettos
Two wise men instead of three
Blow a kiss just for me
I’m ever in a foul mood
I’ve gotta see you in your talmud
And so happy in makes me
(who who who who who)
You wanna know who
Who wrote the book of jude?
She wants to know who
(who who who who who)
Who wrote the dead sea scrolls?
Well, i did, i did
Yeah
Yes, i did, i did
I did, i did
Mm-hm!
I did, i did
Hexakosioi hexekonta hex phobia can be a fun ordeal“666”
I swear by solomon’s seal
Honey, when it comes to love
There’s a fire in the deep bend of my heart
Givin’ me the heeby-geebys
You see
I know the land of wood and water is
Merely fooder for the loves slaughters
And darling, I’ve watched you cake walk to the immaculate conception
For far too long
Walls are wailing
I’m livicated to you
Ahaba raba（
Ahaba raba for you
We’re in heaven
We’re in heaven, it’s true
I’m in ascending
I’m ascending tonight with you
Shabop ShalomLRC歌词：
[00:00.000] 作词 : Devendra Banhart
[00:00.500] 作曲 : Devendra Banhart
[00:01](Thanks to zed for these lyrics)
[00:02]Our story begins on a sunday afternoon
[00:05]Just between halfway tree and spanish town
[00:07]Where a young boy
[00:09]Not yet the cock o’ the walk that he would soon become,
[00:11]Was lying on the grass and takin’ in the sweet and sensuous scent of hibiscus
[00:16]That languidly lilted along the summer breeze
[00:19]It was at this precise moment that he saw her.
[00:22]Her walk was soft and delicate with a thaumaturgical touch
[00:24]That only a rabbi’s daughter could have
[00:27]Before their eyes had even met
[00:29]Her luminous lips had already lured him in
[00:31]Salvation winked with he promise of a briss held at pinnacle
[00:35]And a congregation of sages bunny hopping and chicken dancing to yiddish mento
[00:39]Then their eyes linked
[00:41]An aeon blinked amharic vows were scryed upon their hearts
[00:45]Just to think this could all be with a frenectomy and a few words of love.
[00:52]My shabop shalom baby
[00:59]Won’t you shabop shalom with me
[01:04]Under the old banana tree
[01:08]Whoa, whoa
[01:10]My sweet telavivian lamb‘s bread
[01:18]My heart can act as an emoliant
[01:22]And you’ll never ever say
[01:25]Get bent!
[01:27]No, no
[01:29]Todamama todamama
[01:30]Todamama todamama
[01:31]Todamama todamama
[01:33]Todatoda
[01:34]Todamama todamama
[01:35]Todamama todamama
[01:36]Todamama todamama
[01:37]Todatoda
[01:39]All the signals that i’m sendin i’ll keep sending
[01:42]And on the constantillionth time
[01:47]I’ll make you mine
[01:50]Yes, i swear i will
[01:52]Your sweet supple breasts are golden ghettos
[01:59]Soft statues in stilettos
[02:04]Two wise men instead of three
[02:09]Blow a kiss just for me
[02:14]I’m ever in a foul mood
[02:18]I’ve gotta see you in your talmud
[02:23]And so happy in makes me
[02:25](who who who who who)
[02:26]You wanna know who
[02:28]Who wrote the book of jude?
[02:31]She wants to know who
[02:32](who who who who who)
[02:33]Who wrote the dead sea scrolls?
[02:36]Well, i did, i did
[02:39]Yeah
[02:41]Yes, i did, i did
[02:46]I did, i did
[02:49]Mm-hm!
[02:50]I did, i did
[02:54]Hexakosioi hexekonta hex phobia can be a fun ordeal“666”
[03:02]I swear by solomon’s seal
[03:17]Honey, when it comes to love
[03:20]There’s a fire in the deep bend of my heart
[03:24]Givin’ me the heeby-geebys
[03:26]You see
[03:27]I know the land of wood and water is
[03:30]Merely fooder for the loves slaughters
[03:34]And darling, I’ve watched you cake walk to the immaculate conception
[03:41]For far too long
[03:45]Walls are wailing
[03:49]I’m livicated to you
[03:54]Ahaba raba（
[03:58]Ahaba raba for you
[04:03]We’re in heaven
[04:08]We’re in heaven, it’s true
[04:12]I’m in ascending
[04:17]I’m ascending tonight with you
Shabop ShalomLRC歌词下载地址：
Devendra Banhart简介：
Devendra Banhart是名谜样的人物。
这名现年二十四岁，蓄着长发与浓胡的俊美青年，有着令人困惑的身世。他出生於德州，成长於委内瑞拉，能同时说着流利的西班牙文与英语。十三岁时搬迁至南加州，毕业於旧金山艺术学院，随后在巴黎与纽约两地过着游牧民族般的迁徙生活，目前落脚於布鲁克林。如此动荡奔波的音乐人生，也许M.I.A.还稍可比拟。
Devendra为印度文，译成英文的意思是”King of Gods”；他对自己的诠释或许能更精准地描绘出这名年轻艺术家的人格特质，Devendra形容自己是:【ed Up Hippie Kid】。这名喜欢在台上穿着女装打扮成巫师，私下不修边幅，且总爱赤裸双脚游踪各地的美西嬉皮，如今却引领着所谓的Freak-Folk Movement风潮，与Christian-Folk Movement的掌舵者Sufjan Stevens各霸一方。
虽然2004年的专辑Rejoicing in the Hands获得了空前的成功，但刚出道时的Devendra Banhart却不获得乐评的青睐，诸如Defakera Banhard、Devendra Badhart 这些带着消遣意味的绰号总在乐圈流传着。即使接之而来的走红让他有能力Sold Out多数的表演，仍只能付给客席乐手微薄的酬劳，且始终处於居无定所的半游民状态。於是在一连发行了两张专辑，且忙碌了大半年的世界巡回后， Devendra Banhart决定於去年冬天，闭关於与世隔绝的Bearsville Studio。
摇滚迷对此地不会陌生，由Bob Dylan的前任经理人开设的Bearsville Studio正位於摇滚圣地Woodstock近郊，R.E.M.、Cassandra Wilson都曾於此录制专辑。除了招募一组名为Hairy Fairy的临时乐队共同脑力激荡（成员包括曾与Pernice Brothers合作的民谣吉他手Noah Georgeson），Bearsville Studio特殊的地理环境也使Devendra Banhart的新专辑Cripple Crow与过往的作品很不相同。
编辑
播放 Devendra Banhart 电台
Growing up in Caracas, Venezuela, and Los Angeles, Devendra Banhart was always playing music and drawing. But it wasnt until his brief stay at the San Francisco Art Institute that the disciplines became his constant companions. With the encouragement of poet and SFAI professor Bill Berskon, Banhart began experimenting with all kinds of art. He also began recording songs around that same time, usually on shoddy, hand-me-down four-track machines. Brief, half-finished, or written in stream-of-consciousness form, the recordings werent initially intended for release. But friends encouraged Banhart, and he sent out a few tentative demos. He also left SFAI in favor of busking and wandering, and his travels led him from the Bay Area to Paris and eventually back to L.A. By now he was performing regularly, but he hadnt recorded or released anything officially. That changed when Michael Gira (Swans) issued the first Banhart material on his Young God imprint in October 2002. Oh Me Oh My… was an immediate critical hit, and comparisons to legends of songwriting, eclecticism, and tragedy were frequent (Tim Buckley, Syd Barrett, Marc Bolan, et al.). The Black Babies EP arrived in 2003, followed by Banharts first full-length, Rejoicing in the Hands, in April 2004. Young God released its companion, Niño Rojo, in September. Acclaim for both was nearly unanimous, and Banharts audience continued to expand. He jumped to XL for September 2005s Cripple Crow, an ambitious set and his most sonically expansive album up to that point. Smokey Rolls Down Thunder Canyon continued in that vein, recorded at Banharts new home studio in Topanga Canyon.